YouTube supercut maker: share clips as one link

To make a YouTube supercut, paste a public URL into a browser-based studio, mark several moments across videos on the same channel, chain them in order with transitions, and share the single link it generates. The whole reel plays straight from YouTube, so views still count toward the creator, and nothing is downloaded or re-uploaded.

TL;DR. A supercut used to mean download the source, cut it together in CapCut or Descript, and re-upload the result, which detaches the clip from YouTube and strips the creator's view credit. Segue does it the other way: paste, mark several moments across videos on one channel, chain them with transitions, and share one segue.video/m/<slug> link that still streams through YouTube. Free covers up to three clips on a single video; Pro unlocks unlimited clips and multi-video mixing within one channel. Mixing is same-channel only, on purpose.

What a supercut or highlight reel is

A supercut is a short sequence stitched from several moments: the best three minutes of a two-hour podcast, the top ideas from a talk, a season's worth of a creator's funniest beats in one watch. A highlight reel is the same shape with a different label. The job is always the same: take the parts worth keeping, drop the parts that aren't, and hand someone one thing to press play on.

The hard part was never deciding which moments to keep. It was the assembly. Until April 17, 2026, YouTube's viewer-side Clips feature handled single moments (start time, end time, a /clip/<id> link), but it never chained clips into one share. To sequence several moments, you had to leave YouTube entirely. The guide on clipping a single moment without downloading covers the one-clip case; this one is about chaining several.

The download-edit-reupload trap

Here's the workflow people reach for when they want a multi-clip reel, and why it quietly costs the creator.

You pull the source video with yt-dlp. You cut the moments you want in CapCut, Descript, or FFmpeg, drop transitions between them, and render a new file. Then you upload that file to YouTube or a third-party host and share the new link. It works. It gives you full control over order, timing, and polish.

It also detaches the reel from the source. The moment you render a file and re-host it, the original video stops getting the view. No play registers against the source, no watch-time accrues to the channel, no row shows up in the creator's analytics, no ad revenue is earned. Every view of your re-uploaded supercut is a view the creator never sees. On top of that, YouTube's enforcement against re-uploaded clipped content has gotten more aggressive, and the per-clip time cost (download, cut, render, upload, wait for processing) runs ten to fifteen minutes against an under-a-minute loop. For a casual share it's wildly disproportionate; for a serious pipeline it's defensible only once you've thought through the IP and attribution side.

So the reel that does the full job (a multi-clip sequence) is also the one that breaks creator credit. That tradeoff is the thing the URL-native approach exists to dissolve.

The Segue way: multi-video mixing within a channel

Segue takes the YouTube URL as input, lets you mark several moments in the browser, and emits one share link that streams each clip from YouTube directly. No download, no re-encode, no re-host. The file never lands on your machine, and nothing gets uploaded to ours.

The unit is a mix: an ordered list of clips, each one a precise in/out range on a YouTube video. You build it by marking moments. On the free tier you can pull up to three clips from a single video, which already covers "the three best bits of this episode." On Pro, you paste a second URL from the same YouTube channel and its clips chain into the same mix, so a "best of this podcast's season" reel that draws from several episodes is one continuous sequence.

The output is a segue.video/m/<slug> link, not a file. The link is a description of what to play and when: which video, which range, in what order, with which transition between each cut. When someone opens it, the clips play one after another straight from YouTube, the same surface every embedded YouTube player uses. Each play is a real YouTube embed view, so the creator gets the same view, watch-time, and analytics credit they'd get from any other embed. Because mixing is same-channel only, every bit of that credit lands with one creator instead of being split across several.

Adding transitions

A list of clips played back to back reads as a list of clips. A supercut reads as one piece because the cuts between moments are deliberate. That's what transitions are for.

Between each pair of clips you pick a transition: a cut, a fade, a slide, and so on. Five of the fourteen presets are free; all fourteen are on Pro. There's no per-transition fee on any tier, so the choice is editorial, not budgetary. The point isn't flash. A clean transition signals to the viewer that you meant to move from one moment to the next, which is the difference between a rough stack of clips and a reel someone watches to the end.

Same-channel: why and how

The honest line up front: Segue's multi-video mixing is constrained to a single YouTube channel. Every clip in a mix has to come from the same channel. You cannot pull a moment from one creator and a moment from another into the same reel.

That's a deliberate scope, not a missing feature. Same-channel curation is honest curation. A podcast best-of, a creator's season highlights, the top ideas from one speaker's catalog: these sit cleanly inside fair-use territory, and the work reads as "here are the moments worth keeping from this creator," which is exactly what a supercut of one person's work should be. Cross-creator aggregation is a different thing. It tends to read as repackaging other people's work into something that competes with them, and the tools that allow it tend to attract cease-and-desists. Scoping to one channel also keeps the view credit clean: every play of your reel credits the one creator whose moments you curated.

In practice this is rarely a constraint, because most supercuts are about one creator by nature. The best of a single podcast. A highlight reel from one channel's season. The standout ideas from one speaker. If your idea genuinely needs clips from unrelated channels, the only workflow that survives is download-edit-reupload, and you should weigh the attribution and IP implications before shipping it. If the channel you're curating is your own, the constraint disappears entirely: a best-of across your own catalog is the case it fits best, covered in a best-of reel from your own YouTube channel. The head-to-head with YouTube Clips covers the same-channel rationale in more detail.

Walk-through

The whole loop runs in the browser. Here's the full sequence, start to finish.

1. Paste the first URL and mark a clip. Open the studio at /studio and paste a public YouTube URL. The video loads in a browser-native player streaming from YouTube. Drag the playhead to the start of the moment, click Set in, scrub to the end, click Set out. That's your first clip, a precise range with both endpoints.

2. Add more clips from videos on the same channel. Repeat the in/out marking to pull more moments from the same video. On Pro, paste a second URL from the same channel and its clips chain into the same mix. Every clip in the supercut comes from one creator's channel.

3. Reorder the clips. Drag clips on the timeline to set the running order. The sequence plays top to bottom, so put the strongest moment where it lands best. Edit-time runs cumulatively across sources, so the ruler and playhead span the whole reel.

4. Pick transitions. Choose a transition for each cut. Five presets are free; all fourteen are on Pro. A transition turns each cut into a deliberate edit instead of a hard jump.

5. Share one link. Click Share. The studio generates a segue.video/m/<slug> link that contains the whole mix. Paste it anywhere that handles links. Recipients click once and the full sequence plays in a clean viewer, every play crediting the source channel.

The free tier handles up to three clips per single-video mix and five of fourteen transitions, no account required. Pro ($5/month or $29/year) unlocks unlimited clips, multi-video mixing on one channel, all fourteen transitions, and clean short links. Pro Lifetime ($59 one-time, capped at the first 500 buyers or September 8, 2026, whichever comes first) is the launch-window SKU. Full breakdown on the pricing page.

Make your first supercut free

If you've been faking a supercut by posting three links in a row, this is the loop that does it in one. Open the studio, paste a URL, mark a few moments across videos on the same channel, chain them with transitions, and share one link that still counts as views for the creator.

Make your first mix free →